![]() This is true whether we consider only earned wages and salary, or if we use a broader definition of pretax, pretransfer income, which also includes some unearned sources of income, such as investment income and alimony payments. More than half of America’s working-age families with children under age eighteen (approximately 20.1 million families) have annual incomes of $60,000 or below. Chapter 3 presents evidence about the relevant set of tax and transfer programs facing the struggling lower-middle class, highlighting how this panoply of programs can inadvertently make the climb into middle-class security more difficult.Ĭhapter 1: A Snapshot of Struggling Lower-Middle-Class Families Chapter 2 focuses on the challenge of food insecurity and provides information about the nation’s most-important and wide-reaching government program focused to address this issue, the Supplemental Nutritional Assistance Program (SNAP). These facts focus on those who are above the federal poverty level, and yet are still quite economically insecure, relying on government transfers, facing high levels of anxiety about being able to feed their families, and facing extremely high marginal tax rates as they try to work themselves securely away from poverty.Ĭhapter 1 describes the group we define as made up of struggling lower-middle-class families. ![]() In this spirit, we offer “A Dozen Facts about America’s Struggling Lower-Middle-Class” to bring attention to who these families are, to highlight two particular challenges facing this broad group of American society, and to set up a framework to consider what policies would be appropriate for strengthening their economic security and well-being. ![]() This principle calls for economic security among a thriving and prosperous middle class, which has been a long-celebrated feature of our nation’s social and economic fabric. Transfer program benefits phase out as family earnings rise, which reduces the return to work and makes it difficult for these families to work their way firmly into a better economic life.Ī founding principle of The Hamilton Project’s economic strategy is that long-term prosperity is best achieved by fostering economic growth and broad participation in that growth. One major problem, highlighted in this paper, is the implicit tax on families who receive reduced benefits as a result of higher earnings. Income support programs undoubtedly improve the economic well-being of families on the cusp of poverty, but they often come with unintended consequences. In fact, more than 20 percent of families (approximately 2.4 million families) relied on food stamps in that year alone.Īn array of tax and transfer programs-including food stamps, Medicaid, and the Earned Income Tax Credit (EITC)-strengthen the resources available to struggling lower-middle-class families and provide a safety net for families in need. In 2012 approximately one in three struggling lower-middle-class families (approximately 3.7 million families) relied on at least one major federal government transfer program. Many of these families also rely on government programs for income support. In 2012 more than 24 percent of struggling lower-middle-class children ages twelve to seventeen (or approximately 1.7 million children) lived in a household identified as being food insecure. For example, these households are often unable to meet the most basic requirement of obtaining a sufficient diet. While lower-middle-class families face many challenges, this policy paper focuses on two pointed struggles-food insecurity and low returns to work due to the design of tax and transfer programs.Ĭompared to families officially living in poverty, these struggling lower-middle-class families have substantially different characteristics: they have higher rates of marriage, more dual-earning spouses, and higher levels of educational attainment, yet they face some of the same challenges faced by families living in poverty. More than half of these families are headed by married couples, and of these families, roughly half rely on two earners to make ends meet. ![]() The struggling lower-middle class encompasses low- and middle-skilled workers whose wages have stagnated in recent decades (Autor, Katz, and Kearney 2008). One major setback could thrust them into economic chaos. Though not officially poor, these individuals and families experience limited economic security. This struggling lower-middle class consists of the 30 percent of working-age families with children who have incomes between 100 and 250 percent of the federal poverty level (FPL), or between roughly $15,000 and $60,000, depending on family composition. Many American families whose incomes are not low enough to officially place them in poverty live in economically precarious situations.
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The poacher, named Jarrod Wiggley, is poisoning the cats rather than shooting them. ![]() Tummler and Solomon track down a local boy who is poaching "their" cats. They grow bored with this and leave Bunny Boy sprawled on the ground. Bunny Boy plays dead and the boys curse at him, rifle through his pockets, then remove and throw one of his shoes. Bunny Boy arrives and the other boys shoot him "dead" with cap guns. The film then cuts to a scene in which two foul-mouthed young boys dressed as cowboys destroy things in a junkyard. Tummler and Solomon buy glue from the grocer, which they use to get high via huffing. The grocer tells them that they have a rival in the cat killing business. The film cuts back to Tummler and Solomon hunting feral cats, which they deliver to a local grocer who intends to butcher and sell them to a local restaurant. The cat is owned by three sisters, two of whom are teenagers and one who is pre- pubescent. They leave and the camera follows the cat to its owners' house. Solomon stops him from killing the cat, protesting that it is a housecat. Later, Tummler aims an air rifle at a cat. In narration, Solomon describes Tummler as a boy with "a marvelous persona,” whom some people call "downright evil.” Tummler and Solomon then ride down a hill on bikes. They fondle each other, and Tummler realizes there is a lump in one of the girl's breasts. The film then cuts to a different scene with Tummler - a friend of Solomon, in a wrecked car with a girl. ![]() A mute adolescent boy, known as Bunny Boy, wears only pink bunny ears, shorts, and tennis shoes on an overpass in the rain.īunny Boy carries a cat by the scruff of its neck and drowns it in a barrel of water. The film generated substantial press for its graphic content and stylized, loosely woven narrative.Ī young boy named Solomon narrates the events of the tornado that devastated the small town of Xenia, Ohio. Gummo was not given a large theatrical release and failed to generate large box office revenues. Korine's directorial debut, the film was shot in Nashville, Tennessee, on an estimated budget of $1.3 million. The loose narrative follows several main characters who find odd and destructive ways to pass time, interrupted by vignettes depicting other inhabitants of the town. The film is set (but was not filmed) in Xenia, Ohio, a Midwestern American town that had been previously struck by a devastating tornado. Gummo is a 1997 American experimental drama film written and directed by Harmony Korine, starring Jacob Reynolds, Nick Sutton, Jacob Sewell, and Chloë Sevigny. ![]() ![]() In Las Vegas, where Meow Wolf’s Omega Mart installation debuted in February, the company has sold about 600,000 tickets, according to Didi Bethurum, VP of marketing. A report from the New Mexico Economic Development Department projects that over the next decade the company will have had a $2.5 billion to $2.9 billion impact on the state’s economy. Meow Wolf’s Santa Fe installation has seen more than 2 million visitors since opening in 2016, the company said, including 265,000 since reopening in March. Convergence Station, Meow Wolf’s third permanent location, is set to open September 17. 14Īndy Cross/The Denver PostStairs led up to a vaguely alien structure as part of the Numina, the swamp-themed anchor space inside Meow Wolf Denver’s Convergence Station on Aug. RELATED: Follow The Know on Instagram to get a sneak peek of Meow Wolf on Tuesday, Sept. Only 10% to 20% of the workforce has returned to the “dead zone,” The Colorado Sun reported, or about 28,000 of the 140,000 people who normally work there. Denver’s annual visitors (17 million, pre-pandemic, according to the latest data) are visiting a mostly empty downtown these days. Will Meow Wolf be good for Denver?Īll signs point to yes, more than a dozen interviewees for this article said, although the benefits may be spread unevenly. ![]() Many of us - including those who have visited Meow Wolf’s Santa Fe-based House of Eternal Return since its 2016 opening - have been wondering the same things. How, then, will its mix of art gallery and theme-park trappings fare with the public, or represent our city to outsiders? Its four-story exhibition at Interstate 25 and West Colfax Avenue is being marketed as a bizarre, socially conscious yet family-friendly space. Yet at the moment, there are more questions than answers about Meow Wolf’s Denver entry. The work of 120 Colorado artists - along with 200 in-house writers, sculptors, painters, designers and fabricators - makes up the Denver installation’s dreamlike sculptures, brightly colored environments and interactive, high-tech tableaus. With a projected million-plus visitors annually, according to the company, Meow Wolf’s Denver facility could also reshape the city and state’s beleaguered arts economy. 17, may quickly become one of the city’s top-selling attractions and tourist magnets, if past installations in Santa Fe and Las Vegas are any guide. Meow Wolf Denver, which opens its 90,000-square-foot new building on Sept. Tuesday, October 10th 2023 Home Page Close Menu Packaging content - Packaging content - 1 x JVAW56 ScreenCast Wireless Display Adapter, 1 x USB™ Type-A extension cable (23. 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Logistics data - Export Control Classification Number (ECCN) - EAR99 ARTIKEL1 - SCREENCAST 4K WIRELESS DISPLAYįeatures - Mac operating systems supported - Mac OS X 10.15 Catalina, Mac OS X 11.0 Big Sur, Mac OS X 12.0 Montereyįeatures - Maximum resolution - 3840 x 2160 pixelsįeatures - Maximum transfer distance - 15 mįeatures - Networking standards - IEEE 802.11acįeatures - Resolution - 3840 x 2160 pixelsįeatures - Supported video modes - 720p, 1080p, 2160pįeatures - Windows operating systems supported - Windows 10, Windows 8.1 ![]() ![]() Industry profile for Commercial and Industrial Designers: Percentile wage estimates for Commercial and Industrial Designers: Percentile National estimates for Commercial and Industrial Designers:Įmployment estimate and mean wage estimates for Commercial and Industrial Designers: Employment (1) Geographic profile for Commercial and Industrial Designers Industry profile for Commercial and Industrial Designers National estimates for Commercial and Industrial Designers Combine artistic talent with research on product use, marketing, and materials to create the most functional and appealing product design. Occupational Employment and Wages, May 2022 27-1021 Commercial and Industrial Designersĭesign and develop manufactured products, such as cars, home appliances, and children’s toys. The Trinidadian photographer and filmmaker was 86.About Overview Overview Info for Survey Participants Questions & Answers Related Links Notices Horace Ové, considered the first Black director to make a feature-length film in Britain (and knighted for his services to media) has died. Architect Beverly Willis, who got her start as a designer in Hawaii, where she studied fresco painting under the painter and muralist Jean Charlot, has died. The future of design education-a compendium of writings by a powerhouse roster of seasoned educators and practitioners-and downloadable here. ![]() On nurturing creativity in children-and for the rest of us. Use the hashtag #FreedomToRead to share why open access to books, information, and knowledge is important to you or your community. At 10 AM today, Wednesday, October 4, show your support for libraries and the freedom to read on Twitter, Instagram, Facebook, and more. Not dismal (science) enough: It appears economists have severely underestimated the economic impacts of climate change. “Michael’s traumatic experience of being a child refugee and growing up during the war had a profound influence on his counterintuitive creativity.” TikTok is poised to have an outsized influence on stage design. While much of the book is focused on his many projects - think Audi and Apple Records- it also gets personal, says writer Tom Lynham. Michael Wolff, in his own words: The celebrated designer charts his 60 years in branding with a new book, Leap before you look. A former painter and sculptor, Jack Fisk considers his job not merely the designing of authentic period backdrops but the creation of a film’s visual language. ![]() In the first groundbreaking partnership between an Italian luxury fashion house and a commercial space company, Axiom Space, industry leader and architect of the world’s first commercial space station, announces a collaboration with Prada on NASA’s lunar spacesuits for the Artemis III mission. Celebrating the late Barkley Hendricks, at the Frick. Steve Heller reflects on the lifetime achievements of his best friend, Seymour Chwast, who has been recognized this year by the Smithsonian’s Cooper Hewitt Museum for its prestigious Design Visionary award. Is beauty ethereal or measurable, subjective or objective? Is it a luxury or essential, is it elitist or populist? Architects weigh in. Anne Quito reviews the environmental poster show, at Poster House in New York through late February. Claude Gormier-once called a “pleasure activist” because of his playful approach to design-has died. A new logo-for the first time in 36 years-from the people at New Commercial Arts. Blue is a common color across the financial services sector and Nationwide wanted to avoid the “sea of sameness” of traditional banks. The fashion industry has been more open to LGBTQ hires compared to other sectors, but it still grapples with representation challenges in terms of gender and racial diversity, particularly in leadership roles. That work has resulted in math models for cornrows, Native American bead work, henna designs, adinkras and others. Can a photograph start a war? Ron Eglash and his wife, graphic designer Audrey Bennett, have spent years teasing out the math hidden in visual artefacts. ![]() Typically, they come in two flavours: standalone and as a plugin. ![]() The best HDR software will also give the user control to make adjustments so that the HDR effect can be as subtle or drastic as one likes. The software will typically align, blend, and add other imaging effects to provide the user with the best HDR option with the information it has. The next stage is to bring these bracketed images into editing software for processing. The technique involves keeping the camera steady while taking two or more photographs at differing exposure values in a bid to make up for this loss of dynamic range on the sensor this step is known as bracketing. You can then download or share this image as you wish.That’s where High Dynamic Range, (HDR) photography comes in. This URL will lead you to your enhanced or edited image. Step 5: Once the plugin has processed your request, it will provide you with a new URL.If you want to guide the editing process, you can provide an image guidance scale or a guidance scale. For example, you can say, "Edit this image to look more vibrant," and provide the URL. Step 4: You can also edit an image using a text prompt.A scaling factor of 2, for example, would double the size of the image. Step 3: If you want to scale the image up or down, you can specify a scaling factor.For example, you can say, "Enhance the resolution of this image," and provide the URL. Step 2: Once you have the URL of your image, you can ask the plugin to enhance it.You can upload your image to a hosting site if it's not online already. ![]() This image should be accessible online, meaning it should have a URL.
![]() Nickelback were already famous and rich when they wrote this song, and indeed they faithfully described the excesses of that lifestyle. The question comes naturally while analyzing the real meaning of Rockstar lyrics, and we can most likely confirm that the song is, in fact, ironic. Hey, hey, I wanna be a rockstar Is Rockstar by Nickelback ironic? We’ll all stay skinny ’cause we just won’t eatĮvery good gold digger’s gonna wind up thereĮvery Playboy bunny with her bleach blond hair, and we’ll The girls come easy and the drugs come cheap ![]() ‘Cause we all just wanna be big rockstarsĪnd live in hilltop houses driving fifteen cars From this point of view, it’s the devil talking through Billy Gibbons’ voice, and the outcome of the agreement would then be what’s described in the chorus, representing all the stereotypes of a famous musician again: People interpreted those lines as selling their souls to the devil: trading this life, changing names and haircuts, all that might mean sacrificing essential parts of their identity to achieve what they really want, to be real rockstars. I’m gonna trade this life for fortune and fame ![]() In the song, that voice is interpreted by ZZ Top’s singer Billy Gibbons and his role may be revealed in the pre-chorus: There is also a recurrent voice (the lines in parenthesis) that asks them if that’s what they really want and what they are keen to do to achieve that. The symbols of wealth are the ones people see on TV or in magazines. Somewhere between Cher and James Dean is fine for meĪll lines are about being rich, famous, and recognized. I want a new tour bus full of old guitars Gonna join the mile high club at thirty-seven thousand feet I’ll need a, a credit card that’s got no limit I want a brand new house on an episode of CribsĪnd a king size tub big enough for ten plus me This narrative takes most part of the song, already from the first verse: The dream of every musician, according to the song. This life hasn’t turned out quite the way I want it to beįrom there, the lyrics inside Rockstar describe the kind of lifestyle they want to achieve: having big mansions, being surrounded by groupies, owning expensive cars, and living the stereotypical life of a rockstar. It’s like the bottom of the ninth and I’m never gonna win I’m through with standing in line to clubs I’ll never get in Although the band had already made several number-one hits like 2001’s How You Remind Me and 2003’s Someday, the song’s beginning describes their struggle to be recognized as VIPs, trying to get into clubs without success. In the lyrics, Nickelback’s members say that their life and career still haven’t gone the way they wanted, as they are still not very famous as they wanted to be. Rockstar is a song about the thirst for fame. Rockstar: inside the lyrics and their meaning If you want to listen to the full song, complete with Post’s sung verses and Savage’s supporting raps, you’ll need to either buy a download or stream it on services such as Spotify, Apple Music, Tidal, or Deezer.Watch this video on YouTube. And second, right at the top of the YouTube page is a link from Republic to a “Rockstar” landing page filled with links to on-demand streaming services with better royalty rates than the notoriously low-paying YouTube. Visiting that YouTube page accomplishes two things for the record label and artist: First, because the full chorus from the original recording is what’s looped, according to Billboard policy it actually counts toward the song’s streaming data (not unlike the way a user-generated clip that uses at least 30 seconds of an original recording contributes to a song’s chart position). Their tactic is, at the very least, diabolical and seemingly unprecedented: The chorus-loop mix of “Rockstar” is the only posting of the Post Malone recording on YouTube or Vevo (all other video searches of the track turn up covers by amateur artists). 1 last week, with several reporters accusing Malone and Republic of chart shenanigans. That YouTube loop has been the subject of much controversy and side-eye since “Rockstar” ascended to No. Go to the Endnote toolbar in Word and select the "Update Citations and Bibliography" feature. Click on it and go to "Update Bibliography" at the bottom. Once uploaded, you can go to the BIBLIOGRAPHY tab and see the new style at the top. ![]() You only need to do this step once.īefore you update the document, we always recommend saving a copy, so you have the original to compare the new formatting with. Go to "Manage Custom Bibliography Styles" and upload the CSL file you just downloaded. Download the file using the button in the top right of the screen. Use this link to download the Papers to Endnote style to your desktop. With your document with SmartCite open, go to OPTIONS panel. Your collaborator will be able to add the BIB file to their EndNote library easily.
![]() ![]() Parking is tight in this area around Insomnia Cookies CookieLab.Insomnia Cookies Seating Tips for visiting Insomnia Cookie’s CookieLab The milkshake bar has some seating wrapped around it, as well as a few tables lining the walls. There’s some seating available in this area. Of course, the milkshakes include one of the famous insomnia cookies on top! The milkshakes are huge and can definitely be shared between two people. Inside, you’ll be able to order from the milkshake menu or choose cookies from the Insomnia Cookies CookieLab creations. Insomnia Cookies CookieLab Behind the BookcaseĪfter walking behind a bookcase, a short hallway will lead to the CookieLab. This code can typically be found on the store’s Instagram stories, specifically the CookieLab by Insomnia Cookies account. Once inside the store, you’ll need the secret code to get into the cookie lab. However, a secret code muttered in the area of the bookcase will cause the bookcase to open, revealing a hallway. The storefront looks small and unassuming, and at first it seems like a typical Insomnia Cookies location. This location is situated in the busy neighborhood that is also home to the two Philly Cheesesteak institutions – Pat’s and Geno’s. The Insomnia Cookies location at 833 Wharton Street in Philadelphia features their “not-so-secret” cookie lab. Jones in an upcoming project titled “The Sun Shines on Us All,” beginning with the first rollout of the song “Invisible Man” on YouTube now.While there are several Insomnia Cookie storefronts in Philadelphia, one particular store is hiding something behind their seemingly ordinary bookcase – an Insomnia Cookies CookieLab. Fans can also expect more collaboration with Listeners can stream his recent project “Deep Shades of Brown” on all platforms and view his recent music video “Free Game,” a collaborative project with artist Israel Jones. Giahni is constantly deepening his sound and expanding his flow. “There is a liberating feeling to the music and the content in it, so I just want my sound to be a safe space for them to feel, whatever that may be,” Bosquet said. “I want folks to feel free and to not question themselves,” Bosquet said. Bosquet wants listeners to hear his music with no bounds and to cultivate safe spaces when they play his songs. Musical art is about connection and the exchange of emotion through various sounds and lyrics. I am just happy to be a part of that,” he added. “The world shows us so much every day, and music is an outlet to let that out. “I feel like it’s my human right to explore and process how I feel about the world around me,” Bosquet said. “I feel like there is a nuance to art and the ability to experience it, and I think of myself as a filter for the two.”īosquet creates because he believes it is within his freedom to share his perspective, and music is where he feels most connected. “I view myself as an expressionist, a person of appreciation and art,” Bosquet said. I just matured from there and started taking music seriously towards my senior year trying to better cultivate myself,” he added.īosquet describes himself as an expressionist using music to share his world with others and appreciates both the platforms and ability to do so. “I was playing around on the computer, playing records in my headphones and things like that. “I started making music around 14 or 15,” Bosquet said. These moments led to him getting a better understanding of himself as an artist in his senior year of high school. His journey began with playing records and watching his friend Roc make beats while rapping on top of them. Florida A&M alumna and independent artist Giahni Bosquet is constantly evolving his craft and circulating his talent both throughout and beyond the Tallahassee area.īosquet started making music in his early teenage years. ![]() Music is one of the many outlets Tallahassee creatives tap into to share their stories and express themselves through rhythmic sound and unique flows. Here is a sample where I did an auto level on a coin where the probe area was 12mm x 13mm with a max scan depth of 0.16mm: The visualization of the autoleveling will now also better show the height data based on the lowest point relative to the highest. Many issues was caused by mixing of units, for instance if the UI was set to show in inches and the probing was done in metric. 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